Jorge Calvo

Role(s): Visual Artist, Title Design

This is a visual effects supervisor and digital artist from Madrid, Spain.

He began his career in a roundabout way: studying architecture, recording rock albums, and completing a degree in psychology. In 1981, he went to New York to pursue psychology and music and instead discovered computer graphics, which he taught at Global Village Video Study Center and Film Video Arts. He freelanced as a Harry/Paintbox artist until returning to Spain in 1990, where he continued to do post-production work. He soon moved on to Flame and then Inferno and by 1996, he was creating visual effects for feature films.

In 1999, he founded Mad Pix, a post-production company in Madrid which creates graphics and visual effects for commercials, film, and television. In addition, he has worked closely with Rodrigo Cortés on his films Buried and the upcoming Red Lights, among others.

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Matthew Polis

Role(s): Sound Editor

Matthew Polis, founder and supervising sound editor, graduated NYU Tisch School of the Arts as a filmmaker

and found his passion focused on sound design. In 1997, after winning half-a-dozen sound design awards from Tisch, he opened SoundSpace. Matthew Polis is known for his work on Were the World Mine (2008), The Alphabet Killer (2008) and Off the Grid: Life on the Mesa (2007) and I Believe in Unicorns (2014). He is a Supervising Sound Editor, Sound Designer, & Re-recording Mixer and faculty at NYU.

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Victoria Wojick

Role(s): Producer, Editor

Victoria is driven by her passion for storytelling through the art of video editing. She has a BA degree in Media

Production and completed the Connecticut Film Industry Training Program. At FITP she assisted in the production of Local Commercial, which received the Best Comedic Short Award at the 2013 Manhattan Film Festival and Best

Director Award at the 2013 Boston International Film Festival. Victoria won best trailer award at one of Boston’s well-established post production houses, Finish Post, and is currently working towards an MFA degree in Media Art at Emerson College. She is proficient in Final Cut Pro 7, Premiere Pro, and Avid. Victoria most recently worked on short film, 1954 (directed by Tom Kingdon), as digital imaging technician. When Victoria isn't closely analyzing footage in a dark room, she can be found at the rink figure skating.

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